POLK SALAD ANNIE ~ TONY JOE WHITE | NEW MASTERED AUDIO & MOVIE VIEW

OK HERE IS A AUDIO GEM, SUPERB RECORDING JUST NEVER MASTERED ON THE ORIGINAL TV SHOW WHICH IS COMMON. NOW MASTERED AUDIO, NOT JUST LOUDER LISTEN TO THE BASS FREQUENCIES NEVER HEARD BEFORE, DRUMS NEVER HEARD BEFORE, THE DEEP TONE TO TONY JOE'S VOICE. NOT SURE WHY THEY NEVER MASTERED THIS, I SEE ITS ON DVD. MAYBE THEY DID FOR THE CD. NOT SURE AUSTIN CITY LIMITS KNOWS ANY OF THIS TECHNOLOGY BUT LET ME KNOW IM AVAILABLE / AUDIO ENGINEER ?

From the Tony Joe White album 'Live From Austin, TX' available now on DVD: https://livefromaustintx.com

Also available at Amazon:
CD: http://amzn.to/2shmqTM
Digital: http://amzn.to/2sENs4C
DVD: http://amzn.to/2sUusOL

Tony Joe White (July 23, 1943 – October 24, 2018), nicknamed the Swamp Fox,[1] was an American singer-songwriter and guitarist, best known for his 1969 hit "Polk Salad Annie" and for "Rainy Night in Georgia", which he wrote but which was first made popular by Brook Benton in 1970. He also wrote "Steamy Windows" and "Undercover Agent for the Blues", both hits for Tina Turner in 1989; those two songs came by way of Turner's producer at the time, Mark Knopfler, who was a friend of White. "Polk Salad Annie" was also recorded by Joe Dassin, Elvis Presley, and Tom Jones.


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Recorded in 1980, this "live at Austin City Limits" performance by Tony Joe White is one of the wildest and rawest they ever taped. Many artists choose to beef up their bands for the program. White played with his touring group: drummer Jeff Hale and bassist Steve Spear. White is infamous for bucking trends of all kinds and he comes out of the gate snarling with "Mama Don't Let Your Cowboys Grow Up to Be Babies," funking it up with wiry thumb-picked fills and dirty-ass chords. He goes into "Disco Blues," the same way, grabbing Slim Harpo's "Hip Shake" riff as his fuel, and slips into a funky version of the riff from "Polk Salad Annie" in the chorus. (Oh yeah, he plays the hell out of the song itself later in the set.) But White digs deep into his utterly fantastic catalog here as well; in fact, other than a version of the Donnie Fritts/Eddie Hinton classic "300 Pounds of Hongry" (written for him) all the tunes on this slab are by him. And while hearing live versions of his classics done wild and raw is awesome, hearing Tony Joe White play the hell out of his guitar in a without-a-net-setting is a rare thing. He doesn't need to show off, it's all at the service of his greasy, gritty, deeply soulful swamp funk tunes. His read of his classic "Rainy Night in Georgia" is the rare ballad here, and no one sings it the way he does. "Willie and Laura Mae Jones" is here, as is a Delta blues-drenched "Lustful Earle and the Married Woman," done on an acoustic. And the "Swamp Rap" is pure, deep-south funk. The anthem "I Came Here to Party," takes off on the Waylon Jennings' outlaw country two-step riff and moves it into overdrive. Live from Austin, TX closes with the minor key blues rocker "I Get Off on It," making the entire proceeding a must-have for White fans.

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