From Wikipedia:
"Nights in White Satin" is a song by English rock band the Moody Blues, written by Justin Hayward. It was first featured as the segment "The Night" on the album Days of Future Passed. When first released as a single in 1967, it reached number 19 on the UK Singles Chart and number 103 in the United States in 1968. It was the first significant chart entry by the band since "Go Now" and its recent lineup change, in which Denny Laine and Clint Warwick had resigned and both Hayward and John Lodge had joined.
When reissued in 1972, the single hit number two in the US for two weeks on the Billboard Hot 100 (behind "I Can See Clearly Now" by Johnny Nash) and hit number one on the Cash Box Top 100, making it the band's most successful single in the US. It earned a gold certification for sales of over a million US copies (platinum certification was not instituted until 1976). It also hit number one in Canada. After two weeks at #2, it was replaced by "I'd Love You to Want Me" by Lobo. It reached its highest UK position this year at number 9. Although the song did not enter the official New Zealand chart, it reached number five on the New Zealand Listener's chart compiled from the readers' votes in 1973. The 1972 single release of "Nights in White Satin" was inducted into the Grammy Hall of Fame in 1999.
The song enjoyed a recurring chart presence in the following decades. It charted again in the UK and Ireland in 1979 reaching numbers 14 and 8, respectively. The song charted again in 2010, reaching number 51 in the British Official Singles Charts. It has also been covered by numerous other artists, most notably Giorgio Moroder, Elkie Brooks, and Sandra, and has been used in a variety of cultural mediums, including commercials and films.
The spoken-word poem heard near the six-minute mark of the album version of the song is called "Late Lament". Drummer Graeme Edge wrote the verses, which were recited by keyboardist Mike Pinder.
Lyrics:
Nights in white satin
Never reaching the end
Letters I've written
Never meaning to send
Beauty I'd always missed
With these eyes before
Just what the truth is
I can't say anymore
'Cause I love you
Yes, I love you
Oh, how I love you
Gazing at people
Some hand in hand
Just what I'm going through
They can't understand
Some try to tell me
Thoughts they cannot defend
Just what you want to be
You will be in the end
And I love you
Yes, I love you
Oh, how I love you
Oh, how I love you
Nights in white satin
Never reaching the end
Letters I've written
Never meaning to send
Beauty I've always missed
With these eyes before
Just what the truth is
I can't say anymore
'Cause I love you
Yes, I love you
Oh, how I love you
Oh, how I love you
'Cause I love you
Yes, I love you
Oh, how I love you
Oh, how I love you
Breathe deep the gathering gloom,
Watch lights fade from every room.
Bedsitter people look back and lament,
Another day's useless energy spent.
Impassioned lovers wrestle as one.
Lonely man cries for love and has none.
New mother picks up and suckles her son.
Senior citizens wish they were young.
Cold-hearted orb that rules the night
Removes the colours from our sight.
Red is grey and yellow white,
But we decide which is right
And which is an illusion.
"Nights in White Satin" is a song by English rock band the Moody Blues, written by Justin Hayward. It was first featured as the segment "The Night" on the album Days of Future Passed. When first released as a single in 1967, it reached number 19 on the UK Singles Chart and number 103 in the United States in 1968. It was the first significant chart entry by the band since "Go Now" and its recent lineup change, in which Denny Laine and Clint Warwick had resigned and both Hayward and John Lodge had joined.
When reissued in 1972, the single hit number two in the US for two weeks on the Billboard Hot 100 (behind "I Can See Clearly Now" by Johnny Nash) and hit number one on the Cash Box Top 100, making it the band's most successful single in the US. It earned a gold certification for sales of over a million US copies (platinum certification was not instituted until 1976). It also hit number one in Canada. After two weeks at #2, it was replaced by "I'd Love You to Want Me" by Lobo. It reached its highest UK position this year at number 9. Although the song did not enter the official New Zealand chart, it reached number five on the New Zealand Listener's chart compiled from the readers' votes in 1973. The 1972 single release of "Nights in White Satin" was inducted into the Grammy Hall of Fame in 1999.
The song enjoyed a recurring chart presence in the following decades. It charted again in the UK and Ireland in 1979 reaching numbers 14 and 8, respectively. The song charted again in 2010, reaching number 51 in the British Official Singles Charts. It has also been covered by numerous other artists, most notably Giorgio Moroder, Elkie Brooks, and Sandra, and has been used in a variety of cultural mediums, including commercials and films.
The spoken-word poem heard near the six-minute mark of the album version of the song is called "Late Lament". Drummer Graeme Edge wrote the verses, which were recited by keyboardist Mike Pinder.
Lyrics:
Nights in white satin
Never reaching the end
Letters I've written
Never meaning to send
Beauty I'd always missed
With these eyes before
Just what the truth is
I can't say anymore
'Cause I love you
Yes, I love you
Oh, how I love you
Gazing at people
Some hand in hand
Just what I'm going through
They can't understand
Some try to tell me
Thoughts they cannot defend
Just what you want to be
You will be in the end
And I love you
Yes, I love you
Oh, how I love you
Oh, how I love you
Nights in white satin
Never reaching the end
Letters I've written
Never meaning to send
Beauty I've always missed
With these eyes before
Just what the truth is
I can't say anymore
'Cause I love you
Yes, I love you
Oh, how I love you
Oh, how I love you
'Cause I love you
Yes, I love you
Oh, how I love you
Oh, how I love you
Breathe deep the gathering gloom,
Watch lights fade from every room.
Bedsitter people look back and lament,
Another day's useless energy spent.
Impassioned lovers wrestle as one.
Lonely man cries for love and has none.
New mother picks up and suckles her son.
Senior citizens wish they were young.
Cold-hearted orb that rules the night
Removes the colours from our sight.
Red is grey and yellow white,
But we decide which is right
And which is an illusion.
- Category
- Johnny Cash
- Tags
- vzqk50, Educational, Progressive Rock
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